Franklin
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LEADER 03743cam a2200457 i 4500
005
20220608132652.0
008
160307s2016 enk b 001 0 eng
001
9970676513503681
010
a| 2016005714
020
a| 9781107129825
q| hardback
020
a| 1107129826
q| hardback
035
a| (OCoLC)ocn928442722
035
a| (OCoLC)928442722
035
a| (PU)7067651-penndb-Voyager
040
a| DLC
b| eng
e| rda
c| DLC
d| YDX
d| YDXCP
d| OCLCF
d| CDX
d| PUL
042
a| pcc
049
a| PAUU
050
0
0
a| PA6069
b| .B37 2016
082
0
0
a| 872/.0109
2| 23
100
1
a| Barrios-Lech, Peter,
d| 1977-
0| http://id.loc.gov/authorities/names/n2016012146
e| author.
245
1
0
a| Linguistic interaction in Roman comedy /
c| Peter Barrios-Lech.
264
1
a| Cambridge ;
a| New York :
b| Cambridge University Press,
c| 2016.
300
a| xxiii, 381 pages ;
c| 24 cm
336
a| text
b| txt
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
520
a| "This book presents a comprehensive account of features of Latin that emerge from dialogue: commands and requests, command softeners and strengtheners, statement hedges, interruptions, attention-getters, greetings and closings. In analyzing these features, Peter Barrios-Lech employs a quantitative method and draws on all the data from Roman comedy and the fragments of Latin drama. In the first three parts, on commands and requests, particles, attention-getters and interruptions, the driving questions are firstly - what leads the speaker to choose one form over another? And secondly - how do the playwrights use these features to characterize on the linguistic level? Part IV analyzes dialogues among equals and slave speech, and employs data-driven analyses to show how speakers enact roles and construct relationships with each other through conversation. The book will be important to all scholars of Latin, and especially to scholars of Roman drama"--
c| Provided by publisher.
504
a| Includes bibliographical references and index.
505
8
a| Machine generated contents note: 1. Introduction; Part I. The Latin Directive: Introduction to Part I; 2. The moods of command -- imperatives and subjunctives; 3. Prohibitions in Early Latin; 4. Indirect requests -- questions and statements; 5. The 'can you' request and others; Conclusion to Part I; Part II. Interactional Particles in Roman Comedy: 6. How to soften a command; 7. How to strengthen a command; 8. How to soften a statement in Latin; Part III. Structuring Conversation: 9. Interruptions and attention-getters; 10. Openings and closings in Roman comedy; Conclusion to Parts I-III: summary of findings; Part IV. Interpreting Interactions in Roman Comedy: 11. Discourse in Roman comedy; 12. Role shifts, speech shifts; Appendix 1. Speech and character types in Roman comedy; Appendix 2. About the directive database; Appendix 3. Politeness phenomena in Roman comedy.
650
0
a| Latin drama (Comedy)
x| History and criticism.
0| http://id.loc.gov/authorities/subjects/sh2008106687
650
7
a| Latin drama (Comedy)
2| fast
0| http://id.worldcat.org/fast/993105
650
0
a| Latin language
x| Grammar, Historical.
0| http://id.loc.gov/authorities/subjects/sh2008106699
650
7
a| Latin language
x| Grammar, Historical.
2| fast
0| http://id.worldcat.org/fast/993181
650
0
a| Rhetoric, Ancient
x| History and criticism.
650
7
a| Rhetoric, Ancient.
2| fast
0| http://id.worldcat.org/fast/1096982
655
7
a| Criticism, interpretation, etc.
2| fast
0| http://id.worldcat.org/fast/1411635
852
0
b| oovanp
h| PA6069
i| .B37 2016
x| YAP 07/28/2016
902
a| MARCIVE 2022
945
a| 726826
b| 20160728
c| 120.00
d| 98.40
f| clayapp
g| 1
i| PromptCat YAP
983
a| 40026216511
b| 308011
994
a| 92
b| PAU