Franklin

Régine Crespin sings Lieder and French melodies [electronic resource] : Orchestre Philharmonique de l'ORTF - Janine Reiss (piano) - Christian Ivaldi (piano) / Philippe Truffault, director.

Publication:
[Place of publication not identified] : Ideale Audience : Img Artists, [1972] , ©2000
Format/Description:
Video
1 online resource (1 video file (51 min., 9 sec.)) : sound, color
Form/Genre:
Internet videos.
Internet videos.
System Details:
digital
video file
Summary:
In a Berlioz, Schubert or Poulenc recital, the French lioness live. Born in Marseille in 1927, Régine Crespin finally succumbed to illness on July 5th, 2007. The one the Americans called "The French Lioness" had fought off two cancers, as she tells in her wonderful memoirs (À la ville, à la scène, published by Actes Sud). Of her, there fortunately remains archive images shot at different times in her career. Although her parents thought of a career as a pharmacist, Crespin joins the Paris Opera. The woman from Marseille vanquishes with her singing: she captivates Wieland Wagner who hires her at Bayreuth and Karajan who takes her on for Salzburg. Everywhere she goes she is a superb: Marschallin in the Cavalier of the Rose by Richard Strauss, and a Carmen of great class, and all the while she defends the Berlozian colours everywhere in the world: her Summer Nights, namely, is an absolute reference. We see her in 1965 during a recital in Paris, where she has an appointment with Berlioz: with Marguerite from The Damnation of Faust, The Spectre of the Rose, Summer Nights and Didon in the Trojans, she easily convinces us that it is no coincidence that he became her favourite composer. In spite of her fondness for the stage and great roles, she doesn't neglect the repertoire of melody and lied, to which she dedicates a great deal of her activities after being appointed as a teacher at the Conservatoire de Paris in 1976. But before that, she already dedicated the warm tone of her voice and her wonderful diction to Le Paon by Ravel which she sings in 1972 accompanied by Janine Reiss then two lieder by Schumann and Schubert, this time with Christian Ivaldi. Back to French melody, in 1964, with Fauré (Soir) and Duparc (La Vie antérieure), and to conclude, a slumming note with Les gars qui vont à la fête by her friend and accomplice Francis Poulenc.
Contents:
The Damnation of Faust, dramatic legend in four parts, Op. 24 / Hector Berlioz
Les Nuits d'été, Op. 7 / Hector Berlioz
The Trojans / Hector Berlioz
Histoires naturelles / Maurice Ravel
Liederkreis, Op. 39 / Robert Schumann
Lachen und Weinen, D. 777 / Franz Schubert
Death and the Maiden, D. 531 / Franz Schubert
Soir, Op. 83 No. 2 / Gabriel Fauré
La Vie antérieure / Henri Duparc
Chansons villageoises / Francis Poulenc.
Participant:
Régine Crespin, mezzo-soprano ; Christian Ivaldi, pianist ; Janine Reiss, pianist.
Notes:
Maison de la Radio, Paris, France.
Vendor-supplied metadata.
Contributor:
Truffault, Philippe, film director.
Crespin, Régine, performer.
Ivaldi, Christian, performer.
Reiss, Janine, performer.
Ideale Audience.
Img Artists.
Contains:
Container of: Berlioz, Hector. Damnation of Faust, dramatic legend in four parts, op. 24.
Container of: Berlioz, Hector. Nuits d'été, op. 7.
Container of: Berlioz, Hector. Trojans.
Container of: Ravel, Maurice. Histoires naturelles.
Container of: Schumann, Robert. Liederkreis, op. 39.
Container of: Schubert, Franz. Lachen und Weinen, D. 777.
Container of: Schubert, Franz. Death and the Maiden, D. 531.
Container of: Fauré, Gabriel. Soir, op. 83 No. 2.
Container of: Duparc, Henri. Vie antérieure.
Container of: Poulenc, Francis. Chansons villageoises.
OCLC:
956370693
Access Restriction:
Restricted for use by site license.
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