Music, analysis, experience : new perspectives in musical semiotics / edited by Costantino Maeder and Mark Reybrouck.
- Leuven, Belgium : Leuven University Press, 2015.
1 online resource (356 p.)
- Music -- Semiotics.
- Electronic books.
- Transdisciplinary and intermedial analysis of the experience of music. Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well. Music, Analysis, Experience brings together contributions by semioticians, performers, and scholars from cognitive sciences, philosophy, and cultural studies, and deals with these fundamental questionings. Transdisciplinary and intermedial approaches to music meet musicologically oriented contributions to classical music, pop music, South American song, opera, narratology, and philosophy.
- Preface / Costantino Maeder and Mark Reybrouck
part one. Setting the stage: music-in-action, semiotics, and intermediality
part two. Representation, interpretation, and meaning
part three. Experience, cognition, and affect
part four. Intermediality and transdisciplinarity
part five. Analysis and beyond.
- Description based upon print version of record.
Includes bibliographical references.
Description based on online resource; title from PDF title page (ebrary, viewed March 3, 2016).
- Maeder, Costantino, editor.
Reybrouck, Mark, editor.
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