Franklin

Complete works / Michele Pesenti ; edited by Anthony M. Cummings, Linda L. Carroll, and Alexander Dean.

Author/Creator:
Pesenti, Michele, composer.
Standardized Title:
Works. 2019
Publication:
Middleton, Wisconsin : A-R Editions, Inc., [2019] , ©2019
Series:
Recent researches in the music of the Renaissance ; v. 171.
Recent researches in the music of the Renaissance, 0486-123x ; 171
Format/Description:
Musical score
1 score (liii, 218 pages) + 5 parts ; 28 cm.
Subjects:
Frottolas (Music)
Villotte.
Part songs, Italian.
Vocal quartets, Unaccompanied.
Songs (High voice)
Songs (High voice) with instrumental ensemble.
Songs (High voice) with lute.
Sacred vocal quartets, Unaccompanied.
Form/Genre:
Part songs.
Villotte.
Parts (Music)
Songs.
Chamber music.
Sacred music.
Language:
Italian and Latin words, also printed as texts with English translations.
Staff notation; Tablature.
Contents:
Secular works. A Dio, signora, adio (oda [frottola baratelliana])
Ahimè, ch'io moro (oda [frottola baratelliana]). Version A, four-voice setting ; Version B, lute intabulation
Ardo e bruscio (frottola-proper)
Ben mille volte (capitolo)
Dal lecto me levava (frottola-caccia)
Dime un poco che vol dire (barzelletta)
Fuggir voglio el tuo bel volto (frottola-proper)
Inhospitas per alpes (Latin ode). Version A, four-voice setting ; Version B, lute intabulation
Integer vitae (Latin ode). Version A, four-voice setting ; Version B, lute intabulation
L'aqua vale al mio gran foco (frottola-proper)
Non mi doglio già d'amore (frottola-proper)
O Dio, che la brunetta mia (villotta [villottistic composition])
Passando per una rezolla (frottola with enjambment)
Poi che 'l ciel e la fortuna (frottola-proper). Version A, four-voice setting ; Version B, lute intabulation
Questa è mia, l'ho fatta mi (barzelletta
Se in tutto hai destinato (oda [frottola baratelliana])
S'io son stato a ritornare (frottola-proper). Version A, four-voice setting ; Version B, lute intabulation
Sempre l'è come esser sole (frottola-proper)
Sì me piace el dolce foco (barzelletta)
Trista e noiosa sorte (oda [frottola baratelliana])
Tu te lamenti a torto (oda [frottola baratelliana])
Una legiadra donna (oda [frottola baratelliana])
Vieni ormai, non più tardare (frottola-proper)
Ahimè lasso, ahimè dolente (barzelletta). Version A, four-voice setting ; Version B, lute intabulation
Amor, poi che non poi (strambotto)
O bon, egli è bon (barzelletta [altered]). Version A, four-voice setting ; Version B, lute intabulation
27. Sia felice la tua vita (oda [frottola baratelliana])
Deh, chi me sa dir novella (barzelletta [altered]). Version A, four-voice setting ; Version B, lute intabulationtQuesta è mia, l'ho fatta mi (barzelletta
Io son l'ocel che con le debil ali (strambotto distich)
Non è pensier che 'l mio secreto intenda (canzone). Version A, four-voice setting ; Version B, lute intabulation
Spenta m'hai del pecto amore (frottola-proper). Version A, four-voice setting ; Version B, lute intabulation
Io voria esser colù (barzelletta with popular refrain)
Che faràla, che diràla (barzelletta). Version A, four-voice setting ; Version B, lute intabulation ; Version C, keyboard intabulation
Quando lo pomo vien (villotta [villottistic composition]). Version A, frottolistic setting ; Version B, villottistic setting
So ben che lei non sa (villotta [villottistic composition]). Version A, frottolistic setting ; Version B, villottistic setting
Alma gentil (canzone).
Sacred works. Bonum est sperare
Manus Domini
Tulerunt Dominum meum.
Notes:
Includes introduction and critical report.
The secular works can be performed by soprano and either an instrumental ensemble or a chordal instrument or by four voices (SATB).
The sacred works are for four voices (SATB).
Includes four vocal parts with frottolistic settings of most of the secular works and a part for soprano and lute for all of the works with lute intabulation.
Includes bibliographical references.
Contributor:
Cummings, Anthony M., editor.
Carroll, Linda L., editor.
Dean, Alexander, editor.
ISBN:
9781987201390
1987201396
OCLC:
1098125892
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