Franklin

a| 1242546767

a| 9789493148239

a| 9493148238

a| (OCoLC)1143469244

a| (OCoLC)on1143469244

a| ERASA b| eng e| rda c| ERASA d| OCLCQ d| YDX d| L2U d| CHVBK d| OCLCO d| JPG d| OCLCF d| OHX d| PAU d| OCLCO d| UAB d| PMC

a| eng h| und

a| PAUU

a| N8251.S55 b| E24 2021

a| 069

a| Echoing exhibition views : b| subjectivity in post-digital times / c| A.R. practice (Ed.) [editors, Ann Richter & Agnieszka Roguski] ; translation, Anne Fellner.

a| [Eindhoven, Netherlands] : b| Onomatopee, c| [2021]

a| 79 pages : b| illustrations (chiefly color), facsimiles ; c| 23 cm.

a| still image b| sti 2| rdacontent

a| text b| txt 2| rdacontent

a| unmediated b| n 2| rdamedia

a| volume b| nc 2| rdacarrier

a| Onomatopee ; v| 178

a| When the exhibition enters the digital realm, as it is increasingly happening now when the display of art and culture can be enjoyed individually behind screens, then how does the exhibition view diffuse optically, technically, and culturally? And how does this transformation echo the new understanding of subjectivity? 'Echoing Exhibition Views. Subjectivity in Post-Digital Times' explores the different medialities and intersubjective shifts that follow the moment of seeing a physical exhibition today. It takes the digitized exhibition view as starting point for artistic and theoretic reflections on post-digital culture, hyperreality and its relation to subjectivity. Focusing on the transformative potential of the exhibition as circulating view, this publication asks how it transfers again into a subjective mode of perspective through the artistic lens. So what is at stake when an exhibition circulates as a digital view? And how does its digital presence in turn affect and transform the subjective experience of seeing a physical exhibition? With images from João Enxuto & Erica Love, Calla Henkel & Max Pitegoff, New Noveta/Yair Oelbaum, SANY, Hannah Stiegeler, Jasmin Werner, and Jonas Paul Willisch, as well as texts by Melanie Bühler, Erika Landström, and Agnieszka Roguski, this publication gathers artists, curators and writers that frame these questions through a variety of practices and media. It thus addresses a self-reflexive and critical approach on medium and format?understanding the exhibition as a fluid and diverse view.

a| Title from cover.

a| Includes bibliographical references.

a| Observational games / Jasmin Werner -- Untitled / Hanna Stiegeler -- Acting untitled / SANY -- Schinkel Klause / Calla Henkel & Max Pitegoff -- Violent Amurg / New Noveta/Yair Oelbaum -- Anonymous paintings / João Enxuto & Erica Love -- the work: a series of installation views / Jonas Paul Wilisch -- Artworks -- Introduction / A.R. practice (Ann Richter & Agnieszka Roguski) -- In other words, please be true / Melanie Bühler -- Subjective exposure / Agnieszka Roguski -- Professionalized reenactment / Erika Landström -- Biographies.

a| Subjectivity in art. 0| http://id.loc.gov/authorities/subjects/sh97001517

a| Subjectivity in art. 2| fast 0| http://id.worldcat.org/fast/1136578

a| Exhibitions. 0| http://id.loc.gov/authorities/subjects/sh85046354

a| Exhibitions. 2| fast 0| http://id.worldcat.org/fast/918097

a| 17.80 literary theory: general. 0| (NL-LeOCL)077599195 2| bcl

a| 05.20 communication and society. 0| (NL-LeOCL)077592654 2| bcl

a| Kunst. 2| gnd 0| (DE-588)4114333-4

a| Roguski, Agnieszka, e| editor.

a| Richter, Ann, 0| http://id.loc.gov/authorities/names/n00003147 e| editor.

a| Fellner, Anne, 0| http://id.loc.gov/authorities/names/n91019515 e| translator.

a| Onomatopee (Series) ; 0| http://id.loc.gov/authorities/names/no2012135676 v| no. 178.

a| MARCIVE 2022

a| NTS338843 b| 20801 g| 1

a| 20.17 d| 214037 e| 20200731 h| USD

d| ERAF