Franklin

Theorizing Sound Writing.

Author/Creator:
Kapchan, Deborah.
Publication:
Middletown, CT. 06459 : Wesleyan University Press, 2017.
Series:
Music/Culture Ser.
Music/Culture Ser.
Format/Description:
Book
1 online resource (337 pages)
Subjects:
Sound (Philosophy).
Form/Genre:
Electronic books.
Summary:
An eclectic and experimental exploration of sound from the vantage point of writing.
Contents:
Cover
Theorizing Sound Writing
Title
Copyright
CONTENTS
Acknowledgments
The Splash of Icarus: Theorizing Sound Writing/Writing Sound Theory
PART ONE WRITING SOUND THEORY
1. Musicology, Performativity, Acoustemology
2. Acoustic Palimpsests
3. Writing the Magnified Musicking Moment
PART TWO MEMOIR AND METAPHOR AS METHOD
4. Listening to Resonant Words
5. Sound Commitments: Extraordinary Stories
6. Traffic Patterns
7. In My Solitude: Jazz Song as "Sound Writing"
PART THREE THEORIZING SOUND WRITING
8. Women Out Loud: Religious Performance in Islamic Indonesia
9. "Where the Transcendent Breaks into Time": Toward a Theology of Sound in Afro-Cuban Regla de Ochá
10. Almost Imperceptible Rhythms and Stuff Like That: The Power of Affect in Live Performance
PART FOUR LISTENING AND WITNESS
11. Deadly Soundscapes: Scripts of Lethal Force and Lo-Fi Death
12. Listening Acts: Witnessing the Pain (and Praise) of Others
Afterword: Sound Properties of the Written Word
About the Contributors
Index.
Notes:
Description based on publisher supplied metadata and other sources.
Local notes:
Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2021. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
Other format:
Print version: Kapchan, Deborah Theorizing Sound Writing
ISBN:
9780819576668
9780819576644
OCLC:
974590253
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