Franklin

a| 1953252141 q| (paperback)

a| 9781953252142 q| (paperback)

a| 99987277123

a| (OCoLC)1229125455

a| (OCoLC)on1229125455

a| YDX b| eng e| rda c| YDX d| BDX d| BUF d| OCLCO d| YDXIT d| NhCcYME

a| PS3612.I538 b| A63 2020

a| 811.6 2| 23

a| Linehan, Moira, d| 1945- 0| http://id.loc.gov/authorities/names/n2006063434 e| author.

a| & company / c| Moira Linehan.

a| And company

a| First edition.

a| Loveland, Ohio : b| Dos Madres Press, c| 2020.

c| ©2020

a| xii, 76 pages ; c| 23 cm

a| text b| txt 2| rdacontent

a| unmediated b| n 2| rdamedia

a| volume b| nc 2| rdacarrier

a| Machine generated contents note: t| ADDRESSING THE HISTORY: Getting My Grandmother to Paris -- t| Getting My Grandmother to Paris -- t| Ars Poetica -- t| Addressing the History -- t| Before Berthe Morisot and Mary Cassatt -- t| Becoming Berthe Morisot and Mary Cassatt -- t| Young Woman Knitting -- t| Getting My Grandmother to Paris, Take 2 -- t| Cut from the Same Cloth -- t| Hours -- t| What You Don't Want to See -- t| Looking with Mary Cassatt -- t| Looking at The Tea -- t| The Fitting -- t| Despite Having Written a Document of Legal Import -- t| ADDRESSING THE HISTORY: Companion Paintings -- t| Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland -- t| Girl, Crocheting -- t| The Wyndham Sisters -- t| Addressing the History -- t| Mr. and Mrs. I.N. Phelps Stokes -- t| Lines -- t| The New Eve -- t| No Matter Where I Go -- t| Seamstress -- t| The Ties That Bind -- t| Ladies Union -- t| Always Something of the Absent -- t| Arrangement in Grey and Black No. 1 -- t| Elegy -- t| ADDRESSING THE HISTORY: Getting My Grandmother to Boston -- t| Getting My Grandmother to Boston -- t| Nowhere Near -- t| At Customs in Boston -- t| America -- t| Addressing the History -- t| Ampersand -- t| Across the Room -- t| Paxton's Seamstress Addresses the Poet -- t| At My Grandmother's Grave -- t| Afterword -- t| Grief's Library.

a| Ars Poetica, Nine-tenths preparation, this artist's work. First, fabric between thumb and forefinger, feeling weight, texture, give, nap. The planning beforehand. Washing washable textiles, to shrink them before they're sewn. Laying out the pattern so the design flows, the plaid lines match, the dress drapes. Shears sharp so the seams won't pucker, twist, ravel. A seamstress's stress. Then the fitting, the pinning and re-pinning those seams. Right shade of thread? The sewing, seemingly magic, not one stitch visible. Each seam, steam-pressed flat till at last the sewn, carries material and a dressmaker's vision, out into the world, all in one piece, seamlessly. Book jacket.

a| Poetry. 2| lcgft 0| http://id.loc.gov/authorities/genreForms/gf2014026481

a| Poetry. 2| fast 0| http://id.worldcat.org/fast/1423828

a| MARCIVE 2022

a| 99987277123 b| 308009 c| 99987277123 d| Paper e| MP g| 1 h| litf j| oovanp

a| 99987277123 b| 308009 c| 99987277123 d| Paper g| 1 h| LIT

b| 18.00 h| USD s| 20210423

a| 18.00 b| 18.00 d| 884179 e| 20210521 h| USD

a| Van Pelt b| 31198070928408 d| YBP Firm Shelf Ready